FLORA AND FASHION: IMITATION FLOWERS AND PRINTS
By Nicole Johnston and Jean Parsons
September 20, 2018
Flora is imitated in a variety of forms and in every possible material. Three-dimensional forms are shaped in fabric, beads, grass, and metal, while two-dimensional representations can be made in embroidery, lace and prints. In many cultures floral designs carry with them symbolic aspects that can imbue the wearer with a variety of perceived benefits while worn on the body. For example, in Japan the chrysanthemum can symbolize longevity, rejuvenation and happiness, and is an emblem of the Japanese Imperial family. A “Festival of Happiness” is celebrated each year to honor the flower.
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Metal, Plastic and Enamel Brooch (1950s) N. Johnston
Silk Kimono, Japan (1940s) MHCTC
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Horsehair and Linen Hat with Imitation Flowers (1910s) MHCTC
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Silk, Wood and Grass Cloche (1920s) MHCTC
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Glass, Plastic and Metal Purse (1920s) MHCTC
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Silk Coat with Metal Thread Embroidery (1920s) MHCTC
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Silk, Grass and Cotton Cloche (1920s) MHCTC
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Metal and Enamel Brooch (1950s) MHCTC
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Metal Brooch with Plastic and Rhinestone Accents (1950s-60s) MHCTC
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Glass, Stone, Metal, and Plastic Necklace (1950s) MHCTC
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Boy’s Cotton Shirt (1970s) MHCTC
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Silk Velvet Coin Purse with Metal Applique (Early 20th Century) MHCTC
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Plastic, Glass and Metal Bracelet (1990s) J. Parsons
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Metal and Rhinestone Brooch and Earrings Set by Coro (195s) N. Johnston
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Cotton Batik Bodice and Skirt
(1970s) MHCTC
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Cotton Batik Shirt by Iwan Tirta (1990s) MHCTC
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Embroidered Mirror Work Skirt, India (Mid 20th Century) MHCTC