FLORA AND FASHION: IMITATION FLOWERS AND PRINTS
By Nicole Johnston and Jean Parsons
September 20, 2018
Flora is imitated in a variety of forms and in every possible material. Three-dimensional forms are shaped in fabric, beads, grass, and metal, while two-dimensional representations can be made in embroidery, lace and prints. In many cultures floral designs carry with them symbolic aspects that can imbue the wearer with a variety of perceived benefits while worn on the body. For example, in Japan the chrysanthemum can symbolize longevity, rejuvenation and happiness, and is an emblem of the Japanese Imperial family. A “Festival of Happiness” is celebrated each year to honor the flower.
Metal, Plastic and Enamel Brooch (1950s) N. Johnston
Silk Kimono, Japan (1940s) MHCTC
Horsehair and Linen Hat with Imitation Flowers (1910s) MHCTC
Silk, Wood and Grass Cloche (1920s) MHCTC
Glass, Plastic and Metal Purse (1920s) MHCTC
Silk Coat with Metal Thread Embroidery (1920s) MHCTC
Silk, Grass and Cotton Cloche (1920s) MHCTC
Metal and Enamel Brooch (1950s) MHCTC
Metal Brooch with Plastic and Rhinestone Accents (1950s-60s) MHCTC
Glass, Stone, Metal, and Plastic Necklace (1950s) MHCTC
Boy’s Cotton Shirt (1970s) MHCTC
Silk Velvet Coin Purse with Metal Applique (Early 20th Century) MHCTC
Plastic, Glass and Metal Bracelet (1990s) J. Parsons
Metal and Rhinestone Brooch and Earrings Set by Coro (195s) N. Johnston
Cotton Batik Bodice and Skirt
(1970s) MHCTC
Cotton Batik Shirt by Iwan Tirta (1990s) MHCTC
Embroidered Mirror Work Skirt, India (Mid 20th Century) MHCTC